本片拍摄于2014年至2021年，深入的拍摄了混混群体的生活，探讨了混社会的动因，展现了混混在当代社会的转变。 　　杨毅和齐哥是“一把连”的兄弟，两人十六七岁走向社会，跟大哥带小弟，混得风生水起。但后来一个吸冰入狱，一个受伤入院……出院后齐哥打算做正经生意，却遇到的多是骗子；杨毅想重整旗鼓，各弟兄却都在为生计奔波，终作鸟兽散，成为流落江湖的一群弃儿。 　　导演本以为会拍摄一部土生土长的东北黑帮故事，但最终却是人生本苦的真实写照。

本片拍摄于2014年至2021年，深入的拍摄了混混群体的生活，探讨了混社会的动因，展现了混混在当代社会的转变。 　　杨毅和齐哥是“一把连”的兄弟，两人十六七岁走向社会，跟大哥带小弟，混得风生水起。但后来一个吸冰入狱，一个受伤入院……出院后齐哥打算做正经生意，却遇到的多是骗子；杨毅想重整旗鼓，各弟兄却都在为生计奔波，终作鸟兽散，成为流落江湖的一群弃儿。 　　导演本以为会拍摄一部土生土长的东北黑帮故事，但最终却是人生本苦的真实写照。

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

A group of women traverse the landscapes and strange towns of Colorado in the 1890's.

林教授出身貧苦的礦工家庭，一路邊打架邊讀書的長大，直到國三那年意外的被分到放牛班後，面對突如其來的打擊，他逐漸放棄從小想成為詩人的夢想，畢業沒多久，開始混跡賭場黑道。23歲那年，因觸犯殺人未遂罪名而被判5年有期途刑，雖然之前逃過幾次，但終究被逮入管訓隊。只要有決心，每個人都可以改變自己的命運，在監獄的孤獨歲月讓林教授決定重拾課本，努力苦讀，從宏德補校到東吳大學英文系、密西根州立大學英美文學博士，真實的故事感動人心。

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

在大时代的历史变迁下，三位青年从梅陵小镇而来，历经商、政、警界的一生，怀揣着各自的秘密，最终他们又将归向何处?